Category Archives: American Art

Election Day, 1852, By Aldis Browne

George Caleb Bingham’s The County Election (1852) is described as “a crowded voting scene on the main street of a town in front of an open porch.”  What is its more profound meaning? The artist depicts an election through several vignettes in an era when slavery prevailed and only men could vote. Augmenting the museum’s notes, my interpretation, reading from left to right, is:

Almost certainly poured by a slave, a voter is given another drink–clearly more than ‘one too many’. Over his left shoulder, a seated voter has passed out.

Boys in the foreground play a game of mumble-the-peg. The game, played by tossing a knife in the air, may symbolize the potential peris of politics

Behind the boys, perhaps this is a self-portrait of the artist seated on the steps, sketching.

On the porch a hopeful candidate tips his hat while handing his card to the next voter in line. The wary voter keeps his hands in his pockets.

Beside the recalcitrant voter, another voter is sworn in, attesting he has not voted elsewhere.

Beneath them, three men discuss the election.

To their right, a gentleman reads a newspaper, perhaps looking for endorsements, while another looks over his shoulder.

At the far right a symbolic figure, beaten and bowed with head bandaged and trousers torn, has clearly lost his fight.

In Bingham’s Missouri of 1852, slaves had no rights at all, and many men asked: “Why should women have the right to vote, they’d only vote the way their husbands tell them?”

“Bingham believed slavery to be immoral and an issue that threatened the future of the Union. On these grounds, as a state legislator he advocated against the expansion of slavery beyond its original borders.” (Deborah Keating, University of Missouri, Columbia, MO)

Peregrinations

Peregrinations:
America’s Age of Self-awareness,
1940-1970

Developed and written by Aldis Browne

Until the mid-20th Century American artists were almost exclusively judged by comparisons to their European peers.

As the world experienced the profound realities of war—WWII in the 1940’s, the Korean conflict of the 50’s and the Vietnam War of the 60’s—America developed a voice of its own, and what a clarion voice it was.

The three decades between the genesis of Abstract Expression and the explosion of Pop Art established America’s art and artists as forces of unsurpassed dynamism.

As American art came to be recognized, widely exhibited, and frequently collected, small institutions began to proliferate across the Nation.  No longer could long-established institutions in such art capitals as New York, Chicago and Los Angeles, claim any monopoly.

Art centers, university art galleries, and small museums drew ever-increasing support, both public and private, and they, too, became integral to community, education, and connoisseurship.

Enjoying art was no longer the exclusive domain of major museums in the large metropolitan areas, nor of the elite, the academic, or the intellectual.

The Michelin Guide has long awarded stars as: * worthy of a visit, ** a detour, *** a trip. Similarly, America has become home to both institutions and works of art that are well worthy of such a visit, detour or trip. The works featured here reflect the 40’s, 50’s and 60’s – the beginning of America’s ‘age of self-discovery’.

SaveSave

SaveSave

SaveSave

SaveSave